7/23/2023 0 Comments Lulu morning dewThe group first played the song as their opening number at the Human Be-In in January 1967 the same month the group recorded it for their self-titled debut album, released that March. "Morning Dew" became part of the Grateful Dead's repertoire after frontman Jerry Garcia was introduced to the Fred Neil recording by roadie Laird Grant in 1966. According to Dobson, "all Tim Rose did was take Freddie Neil's changes." Dobson claimed she never met Rose but she received a 75 percent songwriting royalty, as she retains sole writing credit for the song's music. Tim Rose followed with a version (credited to Rose and Dobson) for his self-titled debut album. It was followed about a month later by a recording by singer-guitarist Fred Neil with Vince Martin, for their album Tear Down The Walls. The earliest release of a studio version of "Morning Dew" was on the 1964 self-titled album by the Goldebriars, using the title "Come Walk Me Out" without giving songwriter credit to Dobson. In 1969, she recorded a studio version for her self-titled album. Dobson wrote the song while staying with a friend in Los Angeles she recalled how the guests at her friend's apartment were speculating about a nuclear war's aftermath and "after everyone went to bed, I sat up and suddenly I just started writing this song I had never written in my life." In 1961, Dobson premiered "Morning Dew" at the inaugural Mariposa Folk Festival and a live recording appeared on Dobson's At Folk City album in 1962. Dobson stated that the inspiration for "Morning Dew" was the film On the Beach, which is about the survivors of virtual global annihilation by nuclear holocaust. The song is a dialogue between the last man and woman left alive following an apocalyptic catastrophe. Subsequently, the song was recorded by other contemporary folk and rock musicians, including the Grateful Dead, who adapted it using an electric rock-ensemble arrangement for their debut album. In 1962, "Morning Dew" was included on the live Bonnie Dobson at Folk City album. Originally recorded live as a solo performance, Dobson's vocal is accompanied by her finger-picked acoustic guitar playing. The lyrics relate a fictional conversation in a post- nuclear holocaust world. " Morning Dew," also known as " (Walk Me Out in the) Morning Dew," is a contemporary folk song by Canadian singer-songwriter Bonnie Dobson. Fans will love it and those who only know Lulu as the "To Sir with Love" girl will be very pleasantly surprised.From the album Bonnie Dobson at Folk City ![]() ![]() Lulu continued to make fine records through the 1970s and still performs today, but her early material captured her at her peak, and this thoroughly enjoyable package offers the lion's share of her excellent 1967-1969 work, digitally remastered and sounding spectacular with intelligent liner notes. Lulu and Most had a great ear for material, tackling numbers from the songbook of Neil Diamond, Dan Penn, Harry Nilsson, and Elton John, and even the lesser tracks (we get three versions of the less-than-thrilling "Boom Bang a Bang" - in English, French, and Italian!) are executed with superb craft and as much feeling as the singer could muster. ![]() On tunes like "Love Loves to Love, Love" and her cover of the Beatles' "Day Tripper," Lulu sounds very convincing belting out tough rock & roll, and she's just as confident handling soulful material with real emotional weight, such as "Morning Dew" and "To Love Somebody." And while she also gets her share of MOR pop tunes here, she handles them flawlessly, and "The Best of Both Worlds" and "A House Is Not a Home" are marvelous, heart-tugging stuff. To Sir with Love: The Complete Mickey Most Recordings features 39 tunes recorded during Lulu's tenure with famed British producer Most, and if this consistently leans to the more commercial side of British pop of the late '60s, it's great pop with heart, soul, and no shortage of enthusiasm. Lulu had a solid, spirited voice that could handle an admirable range of material, and she tended to get good songs that she made the most of with the assistance of some very talented studio help ( John Paul Jones arranged much of the material on her 1969 set Lulu's Album). For the majority of American listeners, Lulu's career began and ended with "To Sir with Love," the theme song to the 1967 box office hit, though she enjoyed considerably greater success in the United Kingdom, and not without reason.
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